(Please note: the following blog was originally posted on my old blog
Why Yes I Am Quite Random, Why Do You Ask?, a blog I can no longer
access for some unknown reason. This is being put at the start of
each blog I'm uploading, in case anyone comes across the blog and
accuses me of plagiarism. This is explained further in my
introduction blog.
The following was originally posted on Tuesday, December 20th, 2011 at 7:31 pm )
Once, twice, three times a theme week
(hmm, maybe I should have swapped this and the previous one around to
make this joke). This week, I'm ranking the fifty movies released
this year that I have seen.
For anyone who has read previous blogs,
it's probably no secret that I love movies. Almost never do I have a
empty “to watch” pile and as of writing, my amount of movies to
view is between twenty-five to thirty films. I've been collecting
movies for over a decade and I have no intentions of stopping.
So, I present my personal ranking for
each of the fifty films released this year that I have seen. And as
of writing, I have all but three on DVD (though most of them I
watched on DVD anyway, some were straight-to-DVD here and some would
have been straight-to-DVD regardless of where it was released)
Now, I want to cover a few things
before I get into the blog proper:
- Some of these films might have been released overseas in 2010 (or earlier even) but I'm going by Australian release, cinema or otherwise.
- Not everything here is going to be a big release so if it's not on here, I haven't seen it yet and it's not among the movies I have to watch (stuff like Pirates Of The Caribbean: On Stranger Tides and Cars 2) and there are some I'm not going to. Ever (like Mission Impossible: Ghost Protocol). I'll probably get to my thoughts on those another time once I actually see them
- I won't be doing plot synopsis because that would take up more time and going through fifty films with a short statement of what I thought is long enough. Also, in some cases, I imagine you know the story or the gist of the goings-on.
- I'm going to do things in a slightly different matter. I'm going to save my bottom five for the last post, to go with my top five, as comparison to what the year has seen in good and bad movies. This post will cover #45-26, listing title, director and rating.
So, with that out of the way, let's
start the movie rankings, in reverse order
- The Ward (John Carpenter)
I've seen two films set in an asylum in
this year, and both seem bent on destroying any chances for films set
in asylums to be good. The acting is sub-par, the pacing boring and
the ending... well, without spoiling anything, let's just say I've
seen another film involving a crazy person with a very, very similar
ending. After a long absence from the film world, this is a
disappointing return from a man who's done so many horror classics.
2.5/5
- Season Of The Witch (Dominic Sena)
Despite Nicholas Cage, Christopher Lee
and Ron Perlman being experts at making crap seem... well, less crap,
this film can't rely on them alone. It's dull and dreary and lacking
surprise. Hopefully Nic and Ron get to act together again, in a much
better film. 2.5/5
- Morning Glory (Roger Michell)
This film had serious potential to be
something, with decent acting from Rachel McAdams and Diane Keaton
and even better acting from Harrison Ford. But the plot basically
throws up its hands and goes “You win, standard cliches, I'll
behave more conventionally” and the romantic sub-plot is poorly
handled. Not the best work of any of the actors/actresses involved,
or even the director. 2.5/5
- The Next Three Days (Paul Haggis)
Russell Crowe and Elizabeth Banks work
really well together and the ending is neatly executed. But this is
one long movie. And I mean it, the time really drags on. And you feel
it could be better edited. Still, it's a good little film. 3/5
- Dead Space: Aftermath (Mike Disa)
Yeah, I probably should have played the
games first (as of writing, I only have the first) as I might have
understood it better. Though I have seen Deadfall and I got that with
little trouble. I mean, it's not a bad film, but it doesn't really
take kindly to newcomers. But I guess that's more my fault than the
movie's. Though, what the movie can take blame for is switching back
and forth between animation styles, one of which is ugly and
off-putting. 3/5
- The Mechanic (Simon West)
Jason Statham as Jason Statham alias
Jason Statham in Jason Statham Shoots Stuff While Looking Serious.
Really, if you don't know that going in, you don't know Jason
Statham. Still, not a bad action film. Needs more Donald Sutherland
though, the man's an icon. 3/5
- Unknown (Jaume Collet-Serra)
So, is Liam Neeson the guy who loses
stuff on a regular basis instead of Harrison Ford?
“We now return to Liam Neeson in Liam
Neeson Wants His Identity Back”
“Give me back my identity!”
“I want my identity back!”
But seriously, it's an OK film. Neeson
is as good as always and the ending is well thought out, but it's all
that remarkable. 3/5
- Limitless (Neil Burger)
Interesting premise and Bradley Cooper
can carry a film. Abbie Cornish still hasn't improved since I first
saw her though and in the second half, the film seems to become a new
film almost divorced from its first half. Also, the ending is a
cop-out. Still worth a look. 3/5
- Veronika Decides To Die (Emily Young)
I've been a fan of Sarah Michelle
Gellar since her Buffy days and it's always nice to see her try
something different (still have to see Ringer, too) and she, along
with David Thewlis, are the saving graces. Otherwise, the film is
easily distracted and doesn't seem to have a lot to say. Maybe the
book will offer more depth. 3/5
- The Lincoln Lawyer (Brad Furman)
You would almost think you're watching
a John Grisham adaptation (it actually is based on a book, he just
didn't write this particular one, this one is a Michael Connelly).
Matthew McConaughey manages NOT to suck (very rare) and I especially
like the casting of Marisa Tomei and Bryan Cranston. Also, I did a
double take when I first saw William H. Macy, I barely recognized
him! Plot holds up, too. 3/5
- Peacock (Michael Lander)
An unusual little film, held together
by the solid acting in a double role by Cillian Murphy, with support
from Ellen Page and Susan Sarandon. It does take a bit of time to get
into, unfortunate since the running time is only 90 minutes, but it
does pay off. 3/5
- Hereafter (Clint Eastwood)
Three stories all related to death and
how we cope with it. One involves a tsunami aftermath and is
forgettable. One involves a retired medium (Matt Damon) trying to get
by and its really good. And the other involves a little boy trying to
find a way to communicate with his recently deceased twin and it too
shows promise. Well, two out of three ain't bad as the song says. Not
one of Eastwood's stronger works but considering his resume, he's
allowed to make films that don't always hit the high notes. 3/5
- Insidious (James Wan)
Much like Wan's previous effort Dead
Silence, he's proving he has what it takes to make a decent horror
film and not rely on cliches. He knows what makes a jump scare work
and writer Leigh Whannell knows how to write smart and likable
characters. It's a bit disorienting in the third act but then that's
not a bad thing for a horror movie. 3/5
- Bad Teacher (Jake Kasdan)
A real mixed bag. On the one hand, it
doesn't portray the leading character as always being right and
Cameron Diaz and Jason Segel do really good work. On the other, the
toilet jokes are weak, some of the supporting characters are
irrelevant at best, irritating at worst (especially the best friend
of Diaz's character) and Justin Timberlake's character is
inconsistent. I've seen worse, but I think this film needs a
parent/teacher conference to get it to focus its attention more. 3/5
- Thor: Tales Of Asgard (Sam Liu)
Unlike his bigger brother, this film is
a straight-out adventure. Roughly on par with Marvel's previous
straight-to-DVD affairs, which is good since this is currently the
last planned, which means they don't get slack with their last film.
It's also bad, though, since none have been able to stand up to the
dynamic entries DC offers. Still, I'm hoping for more Marvel movies
like this. 3.5/5
- Green Lantern (Martin Campbell)
Only slightly beaten by the above entry
as least favourite comic book movie of the year. Ryan Reynolds does a
great job, the constructs are well thought-out and the supporting
cast of fellow Green Lantern alumni are excellent. But at the same
time, the film suffers from what I call “Transformers Syndrome”,
which means it has too many squishy pathetic humans, not enough of
awesome stuff from space. Also, in regards to Parallax, that is the
worst design of an adapted comic book villain since Galactus. I would
love a sequel, so long as its mostly set in space and lacking in
Blake Lively. 3.5/5
- X-Men: First Class (Matthew Vaughn)
Summarizing my own review, it can't
make up its mind as to whether or not it's a prequel or a reboot and
some of the characters behave in ways that don't ring true with what
I know, new continuity or not. But the acting is strong (especially
from Michael Fassbender) and the action solid. A good start to a new
look at the X-Men. 3.5/5
- Never Let Me Go (Mark Romanek)
A charming little film about clones and
how we tend not to think of them as people, merely appendages meant
to enhance our lives. Picks up the pace after the first act and very
emotional, with great performances from the three leads (Keira
Knightly, Andrew Garfield and Carey Mulligan). 3.5/5
- Your Highness (David Gordon Green)
Well, I certainly didn't think it was
all that bad. There were worse comedies this year. James Franco plays
his role seriously and it totally works and rather than make him an
obnoxious twat, he's a really likeable character. The main villain's
henchman aren't all that engaging, though and anyone wanting lots of
Natalie Portman screentime is due to be disappointed. 3.5/5
- Hanna (Joe Wright)
Boasting one of the best soundtracks of
the year (The Chemical Brothers and I totally called it when I first
saw the movie), we have another solid action movie. Erik Bana and
Cate Blanchett deliver some of their best performances (and Erik Bana
gets to kick some major arse). Though, I really, REALLY hate the
character of Sophie. Yeah, I get that she's meant to be a
representation of the youth of today's bad values versus Hanna's old
ways but do we need to be hit over the head with it constantly? 3.5/5
No comments:
Post a Comment