Saturday 28 July 2012

We're On The Eve Of Destruction


Well, here we are. The last of the Nolan Batman films has arrived. I know a lot of you are still to see it, so this will be as spoiler-free as possible. I will not talk about the ending, or the twists. The closest I will come to a spoiler is going over the story references I caught (not all of them, mind you). With that, let us begin.

Eight years after the events of The Dark Knight, Gotham is prospering, thanks to organized crime being virtually eradicated. Bruce Wayne (Christian Bale) has retired from being Batman, and has remained at Wayne Manor all this time. But when the mercenary, Bane (Tom Hardy) shakes things up in Gotham, the Batman makes his presence known once again.

Yeah, that's pretty much the abridged version, but I think by now if you don't know what the basics for the movie are, it's because you don't care.

It's fair to say I've been waiting for this movie for a long time. Like, since 2008. Literally, since the day after The Dark Knight. So, hype was already high long before I saw the movie.

And you know what? It exceeded my expectations and then some. Not that I knew what to expect, but it was still a sight to behold and more.

Even though there's less for Gary Oldman and Morgan Freeman to do, they still bring their A-game to the table, with Oldman getting one of my absolute fave scenes in which he said Batman was his best friend. It warmed my cynical heart to hear such a thing.

Christian Bale spent more time out of the Batsuit, and that gave a greater focus on Bruce Wayne as a composite of the boy Alfred raised and the Batman persona. Bale has always delivered a solid performance and he's certainly not phoning it in here.

As for the new players: Anne Hathaway as Catwoman, a well casted role. Oozing confidence, charisma and likability, she plays off well against Bale when the two are just getting to know each other as Selina and Bruce, and she's a fierce fighter in her Catwoman gear (also, the blonde girl played by Juno Temple that hangs around with her? Totally Holly Robinson, am I right?)

Joseph Gordon-Levitt is a pretty damn good character, having good deductive skills, and is seemingly unmovable in his ideals. He makes a great cop and his scenes with Bale are nicely done.

Marion Cotillard as Miranda Tate... it takes a while to get into her character. She doesn't do so much at first, but as time goes on, she becomes more bearable.

But the big new performance of note is Tom Hardy as Bane. Completely undoing the last attempt at a live action Bane (I prefer to call him “Ralph Wiggum on steroids”), Tom Hardy's is brutal, menacing and actually somewhat funny (the stadium scene. Before blowing it up, he comments on what a lovely voice the child singing the national anthem has). One reviewer down here referred to him as the “minister of sinister” and that's actually a pretty accurate description. Much like the comics, he's a mighty mental and physical challenge for the Caped Crusader, which makes for a mean combination.

However, if there's one performance that eclipses all others, it's Michael Caine as Alfred. Despite a smaller role, his is the most emotional, and I damn well nearly cried at certain scenes. You, sir, are a living legend. Never leave us.

The film actually ties in more with Batman Begins than The Dark Knight, mostly with the mentions of Ra's Al Ghul, the “why do we fall?” theme returning, but its biggest connection to The Dark Knight is Harvey Dent and the truth surrounding the events of his death. It's a good choice to connect to the first film, as it brings up things we may have forgotten over time.

Action-wise, it's astonishing. Bane's beatdown with Batman, the Batwing (yeah they call it The Bat, but I think Batwing is cooler) in battle, but the best of all is the huge criminal vs. cop brawl, with Batman and Bane gearing up for round two. Now THAT'S an action sequence. Not loads and loads of guns and explosions, just good ol' fashioned fisticuffs with hundreds and hundreds of people (see Gangs Of New York for something similar).

Also, I love the choice for stories that the Nolans have cherry-picked aspects from: The Dark Knight Returns (Bruce Wayne coming out of retirement), Knightfall (the first Batman and Bane battle) and No Man's Land (Gotham cut off from the world) just to name a few. All are classic stories in the Batman mythology so to see them get a mention is wonderful for a long time Batman fan like me.

Surprisingly, I've heard very little in terms of people bitching that this isn't as good as The Dark Knight. And really, does it matter? Does everything always have to be bigger and better? Can't it just be good on its own? And with a movie like this, calling it “good” is a slap in the face to the movie.
So, as you've guessed, it's the number one film for me this year so far. To Christopher Nolan, the cast, the crew, everyone involved: you've created a triumphant and terrific trilogy. We will forever be grateful for what you've done for the Dark Knight Detective. I know you said this was the last but if you ever do decide you have one more film in you, I'll be there. Hell, I'll be there regardless of what Nolan does next. The keys to the kingdom should be his. He redefined the game a long time ago. No, wait, scratch that: he BECAME the game. The one to beat. Batman Begins showed how a reboot can not only work but be acclaimed. The Dark Knight utterly shattered expectations not just for comic book movies, but blockbuster films. And The Dark Knight Rises shows how you end a trilogy: with the biggest bang you can muster. 4.5/5

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