Monday 22 April 2013

Catching Up, Part 1: Two Hits And A Miss

OK, I've left this long enough. I've seen that many movies I've been meaning to review that it's getting out of hand.

So, for a little while, going to post a few at a time, no plot synopsis, just my thoughts. If you are interested, check the IMDB pages for the general story breakdown. Sorry about taking the easy way out, but if I want to catch up, I'd better get into gear. Besides, some of these, I don't have much to say anyway (oh and there may be a few small spoilers littered throughout).

Silver Linings Playbook

Pros:
-The acting. The biggest selling point of this film is its cast, and no one slacks off (and when you have Chris Tucker in your cast, that IS a big accomplishment. He's not an actor I would consider to be great by any stretch, but if he does more stuff like this, that could change).

This is arguably the best film De Niro's been involved with for years, and it helps that he's not playing a tough guy or hamming it up (I will say at this point that to me, his last outstanding role was in Stardust, where he also tries something different), but instead a man who doesn't know how to connect with his son any more, with Jacki Weaver offering superb back-up as the mother who tries to keep the peace in the family.

Bradley Cooper's great too, my favourite role of his to date. His character's plight, to get back together with his wife and regain some sense of normality, garners great sympathy.

The stand-out, however, is Jennifer Lawrence, who says what she wants and doesn't give a damn what anyone else thinks. She has her vulnerabilities, but she doesn't let them drag her down. Like all good characters, the flaws help define them without pigeon-holing them, and the relationship between her character and Cooper's is believable, seemingly running with the message “people are screwed up, but sometimes, they find other screwed up people and find out you can be screwed up and happy, and compliment each other's weaknesses”.


- The dance scene at the end. First off, I'm not much for dancing, and know little of technique, but I'll be damned if that wasn't an impressive display. It's wild, energetic, and it's plain to see that Cooper and Lawrence are having so much fun while doing it than you can't help but feel a little pumped. Bonus points for one of the songs in their medley being Fell In Love With A Girl by The White Stripes. The dance itself is also a great representation of the two of them in a nutshell: it's unconventional, it changes tone without warning, it's confrontational, uncaring of what other people think, but between the two of them, it makes perfect sense.

Cons:

- Well, there's really only the one, and not much of one at that, but the movie can make you uncomfortable early on, with some of its confrontational scenes. I mean, that was the point, but I can't help but wonder if David O. Russell didn't go a little too far.

One of the better films I've seen this year, and worthy of all Oscars it was nominated for, and definitely so for those it won. 4/5

Flight

Pros:
- The sequence which leads to the crash that sets up the plot. It's amazingly shot and acted, and I actually felt like I was there in the plane. Which is also a bad thing, since I've never flown and I'm actually afraid of flying, so this only added to that fear...

-While the supporting cast are great (especially Don Cheadle), this is pretty much Denzel Washington's movie, and in his role as Whip Whitaker he carries it fantastically. This portrayal of a self-destructive, egotistical man is a little different from Washington's usual fare, and it's probably my fave role of his to date (before anyone asks, no, I haven't seen Training Day yet, I'll get to it one day). Denzel's character is a complicated man, and his journey of self-discovery never enters a place in which it strains credibility.

Cons:
- I mentioned the supporting cast are great, and they are, but with one character, we have a puzzling element. Harling Mays (John Goodman) is a dealer friend of Whip's, and a close confidant. Before Whip's court appearance, Whip drinks himself to near-death and is in no shape to turn up. Enter Harling, who knows how to whip Whip (no pun intended) back into shape. I should note his leitmotif, if I can use that here, is Sympathy For The Devil by The Rolling Stones, and his role is played for comedy. Considering the serious nature of this film, this is rather jarring, and an unnecessary distraction.

So far, this is my favourite movie of the year, though we're only about a third of the way through, so there's still plenty of contenders. Even so, I highly recommend this, even with a review that doesn't give it any justice at all. 4/5

This Is 40

Pros:
-Uh... well, the music is nice. No, seriously, the musical selection, I dig it. And since music and the marketing of one group is a subplot, you would expect the music to be decent. Thankfully, it is. I had never heard of Graham Parker And The Rumor before, but I can't say I regret listening to the music.

Cons:
-Is it me or are films trying to make me hate Leslie Mann? Seriously, most of the movies I've seen her in, it looks like she's not having any fun. It's almost like she's Debra from Everybody Loves Raymond (oh, how I hate that character), she has to be mean-spirited to nearly everyone, even though her husband is a reasonable guy (that's not a compliment to Ray Barone from that show, though, he's almost as bad as his wife) and her few heartfelt moments are... well, few and far between. It's sad when a film from earlier this year, ParaNorman, shows she can play lovely characters.
And keep in mind, she's married to the director of this film, Judd Apatow. Dude, are you trying to make us hate your wife? Why?

-The other characters don't get off scot-free, but a lot of them are useless and go nowhere anyway, just like their subplots. Biggest example: Mann's character, Debbie, runs a boutique, and she finds out one of her employees is stealing money. She confronts Desi (Megan Fox, whose performance is unremarkable) about it, but Desi says it's the other employee, Jodi (Charlene Yi and dear God, I swear Apatow is trying to make me hate her, too! I hated her in Knocked Up, and she's irritating here, too. She started off annoying when she was in the last season of House, but I did warm up to her there). Turns out Jodi has a drug habit, that's never hinted at, and as soon as Debbie fires her, the subplot ends on a joke about her being out of it, and that's it. Yeah, that sure needed some screentime, not like you don't have enough going on already...

Speaking of Desi, while she sticks around, she doesn't exactly get better, and the ends-as-quickly-as-it-started subplot with Ronnie (Chris O'Dowd) and Jason (Jason Segel) trying to get into her pants. Keep it classy, guys. It's near the end of the movie, so what's the point? The movie's runtime is a little over two hours, we could have had this cut and lost nothing.

-OK, these last two are nitpicks, I'll admit. First, I'm sick of all the promotion for this film saying “semi-sequel” to Knocked Up. It makes no reference to Seth Rogen's and Katherine Heigl's characters from that film, so you'd never know it, and we already have a term for that: spin-off. This is a spin-off, just call it one.

Next, the title's kind of arrogant isn't it? Like, is this what we're all going to be doing/have done at 40? No, this is “privileged whiny white arsehole's version of 40”. Or, First World Problems: The Movie, if you were.
If you don't want to bother with this movie, I don't blame you. There are some bits I laughed at, but not so much that I'd recommend this. So far, the weakest film I've seen this year. 2/5


Yeah, sorry there isn't a lot of meat on them, but it's been a while since I've seen this films, so some details will have been missed. Hell, they probably come off as looking like slightly better Chris Bores movie reviews (and the slightly better might be giving myself too much credit).

Next post, another three films, so that I can keep on catching up.